Ephemera
Studio Notes Let the materials do the work. The paint, the paper and glue will go where they go. Your job is to follow, not lead.
Studio Notes You have to know when to stop. Let the painting breathe. The relentless attack can kill it. Like a plant you have to observe what is growing. See if you can coax that growth.
Studio Notes The doubt and mild panic of a new piece. It's erased only when you lay something down that changes the direction, brings it out of the mud. It's luck, really. Skill and experience have nothing to do with it.
Studio Notes It is a return to all-over painting; it is a return to the attack. Keep at 'em until they open up. Lacérée. Unfortunately, it ain't working. What I have is a lot of paint and paper on a wood panel. I don't have a picture.
Studio Notes Some good things have come from my frustration with a painting in the past. The scraper is my reset tool. Tear it all away and see what's left. As best I can tell, nothing interesting is left following this procedure. Maybe I am just out of ideas.
Studio Notes This feels like speaking a foreign language, one at which you are not very proficient. Some thoughts or ideas are communicated, but just as many are completely lost. I don't understand these paintings. Not today.
Studio Notes Sometimes it seems we paint only to remember who we are. If this act, applying paint to a surface, defines who we are, we mustn't stop for risk of vanishing. A painter must paint.
Studio Notes Too long off the brushes. This is good and bad. It is a fresh start and a clean break from whatever I was doing before. But there is a relearning, a de-rusting of the painting muscles. This takes time and there is inevitably some ugliness I must work through. Sometimes I can see the potential of a painting, just one small section. How to pull that out of the mud, that is the challenge.
Checklist
1. Haunted by the past 2. Stupid girl 3. A place made for leaving 4. The little defeats add up 5. The holy man 6. A hopelessness grows 7. "rebuilding the old days” 8. "Ain’t got the change of a nickel” 9. Not for sale 10. Buddha smile 11. ちがいます 12. Moved by inaudible tones 13. Magnetic resonance 14. I’ve got some matches; looking for some bridges 15. Bending to the sun 16. Losing half of the sonic information 17. Out of reach 18. Stitched together 19. The last beer 20. He said to himself 21. The questions pile up 22. Live outside the System 23. Number 25 24. What are you selling? 25. La poétesse 26. How do I get to Wednesday? 27. Simultaneity 28. Change the guidance language 29. Warming old bones 30. Impulse 31. Between yesterday and today 32. Reject empire 33. Degrees
This is a short film produced on the occasion of my exhibition Checklist at be-kyoto gallery in Kyoto, Japan 2017. |